Once you are scheduled it is solely your responsibility to find coverage, which is nearly impossible due to everyone else's terrible schedules as well. There is only one manager in charge of scheduling who refuses to take advanced requests not to be scheduled, and ignores requests to change scheduling even as far as half a year in advance. The main draw of working here is the flexible hours, which is extremely beneficial to anyone working a day job or pursuing a career in the performing arts, but the scheduling is abysmal.
Labor laws are completely ignored, the safety of patrons and employees are disregarded in favor of earning the producers more money (which is unnecessary, the show is fantastically successful and the producers are already earning a shocking amount of revenue) and employees can expect to be verbally harassed and abused on a daily basis.
However, working in the building is a truly miserable experience. Vincent Tullo for The New York Times Boyd began the formal tour downstairs, in the ballroom scene, as the cast, masked and half-costumed gowns, sweats danced the night away. It's innovative, sexy, and exciting, and could very well be the future of theatre. The psychic/paranormal elements of these romantic suspense novels, while clearly fiction (Are they, though? Really?), walk that line, leaving me swinging between thoughts of "This could never happen" and "Whoa, what do I really know about that sleep clinic I made an appointment with?" She creates an immersive reading experience where it's all too easy to place myself in the positions of Pallas and Ambrose, thereby heightening both my enjoyment and my reader anxiety as I navigate the murky, murderous waters of Sleep No More.SLEEP NO MORE is an absolutely astounding show. We dictate a little bit more of what the audience is doing, but we still have moments of choice, really immersive moments, one-on-one, and personalized. But what I find most fascinating about these novels is the fine line the author navigates between fact and fiction, between reality and possibility. Her attention to detail is superb, creating an atmosphere that highlights both the suspense and romance. Her plots are twisty and, again, rarely do I guess the final outcome before the reveal. Her characters are complex and multi-layered it usually takes me an entire book to figure them out. There are many things I enjoy about a Jayne Ann Krentz book. Pallas and Ambrose conduct their investigation using the podcast as a cover, and while the townsfolk are eager to share what they know, it turns out there are others who are not so happy about their questions-and someone is willing to kill to keep the truth from coming out. Unable to find proof on his own, he approaches Pallas for help, only for her to realize that Ambrose, too, has a lost night that he can’t remember-one that may be connected to Pallas. But Ambrose is positive something terrible happened at the Carnelian Sleep Institute the night he was there. Shaken by the dark energy she feels in the building, she is rushing out when she’s stopped by a dark figure-who turns out to be the women's mysterious tipster.Īmbrose Drake is certain he’s a witness to a murder, but without a body, everyone thinks he’s having delusions caused by extreme sleep deprivation. Now close friends, the three women co-host a podcast called the Lost Night Files, where they investigate cold cases and hope to connect with others who may have had a similar experience to theirs-an experience that has somehow enhanced the psychic abilities already present in each woman.Īfter receiving a tip for their podcast, Pallas travels to the small college town of Carnelian, California, to explore an abandoned asylum. An earthquake and a fire partially destroyed the hotel, but the women have no memory of their time there. Seven months ago, Pallas Llewellyn, Talia March, and Amelia Rivers were strangers, until their fateful stay at the Lucent Springs Hotel.
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